HIS 135: WORLD MYTHOLOGY


North Island College, Fall 2024

Meeting TimesCVS1: M, W 1:00 - 2:20 pm

Meeting PlaceTyee 202

Instructor: Dan Hinman-Smith

Office:  Trades 112

Office Hours:  M 2:30 - 4:00 pm; W 2:30 - 4:00 pm

Office Phone: 250-334-5000, Extension 4024

Web-Site: http://www.misterdann.com/contentsworldmythology.htm  and https://mycourses.nic.bc.ca/

E-Mail: dan.hinmansmith@nic.bc.ca

North Island College is honoured to acknowledge the traditional territories of the combined 35 First Nations of the Nuu-chah-nulth, Kwakwaka'wakw and Coast Salish traditions, on whose traditional and unceded territories the college's campuses are situated.  The Truth and Reconciliation Commission of Canada's final report calls for 94 actions toward restoring a balanced relationship between indigenous peoples and settler communities in this country.


Course Description

The secret of life, explains the sacred tavern-keeper Siduri in an ancient Sumerian epic, is that there is no secret.  "When the gods created man they allotted to him death, but life they retained in their own keeping," she tells the king Gilgamesh.  "Fill your belly with good things, dance and be merry, feast and rejoice.  Let your clothes be fresh, bathe yourself in water, cherish the little child that holds your hand, and make your wife happy in your embrace; for this too is the lot of man. "  This course will in some ways defy the strictures of Siduri in returning to the questions that rest at the centre of world mythology.  Who are we?  Where do we come from?  Where are we going?  What is the nature of the cosmos?  What is the relationship between the individual, the family, the community and the transcendent?  How are life and death intertwined?  We will discuss such questions in a philosophical context but the thrust of the course will be to use an historical and comparative framework that analyzes particular mythic traditions.  Rather than attempt to encompass all of world mythology within a one-semester course, we will focus upon the myths of Greece, Mesopotamia, Northern Europe, Egypt, India and Mesoamerica as case studies.


Books

**The different course books rest at the very centre of the curriculum.  They will serve as the focal point for our bi-weekly seminars and for several different assignments.  It is fundamentally important that you acquire these books and then access them throughout the semester.  They are available for purchase at the NIC Bookstore.  I have also provided links to e-text editions below.  The Sanders translation of the Epic of Gilgamesh is available on-line in an audio edition.

Shomit Dutta,ed., Greek Tragedy (New York: Penguin Classics, 2004).

N. K. Sanders, trans., Epic Of Gilgamesh (London: Penguin, 1972).

Linda Egenes and Kumuda Reddy, Ramayana: A New Retelling Of Valmiki's Ancient Epic (New York: Tarcher Perigee, 2016).

Tedlock, Dennis, trans., Popol Vuh: The Definitive Edition (New York: Touchstone, 1996).

Natalie Haynes, Pandora's Jar: Women In The Greek Myths (New York: Harper Perennial, 2022).

Optional Textbook:  I have decided not to include a textbook as one of the required HIS 135 readings.  I would recommend the following volume for any of you who want a general introduction to the world's different mythological traditions:

C. Scott Littleton, Mythology: The Illustrated Anthology Of World Myth And Storytelling (London: Duncan Baird, 2002).


Learning Outcomes

1.  Compare creation myths from a variety of cultures.

2.  Identify and analyze the major gods, heroes and legends of Sumerians, Egyptian, Classical, Celtic, Norse, Mayan, Aztec and Northwest Coast mythology.

3.  Discuss the complex relationship between the gods and the mortals, and between life and death, within those mythic traditions.

4.  Relate mythologies to the historical and societal contexts out of which they emerged.

5.  Describe the various academic theories of myth and apply these to course curricular content.

6.  Compare and contrast different mythic traditions, with particular attention to recurring motifs and themes.

7.  Assess the extent to which mythic imagery, language and stories continue to influence contemporary culture, art and thought.

8.  Better understand how the continuing study of mythology might be effectively integrated into a lifetime of independent learning.


Comox Valley Territory Acknowledgement

Tentative Class Schedule

Week 1: Entering The Labyrinth

Wednesday, September 4

a)  What Is Myth Discussion

b)  Course Introduction

c)  Video: "Theseus And The Minotaur" (1990) [24 mins]


Week 2

Monday, September 9

a)  Lecture: Entering The Labyrinth -- The Myth Of Theseus And The Minotaur

Homework Assignment #1:

Complete the Mythology Scavenger Hunt and bring your notes to class.

Wednesday, September 11

a)  Course Check-In

b)  Student Mini-Presentations: Mythic Character Sketch

c)  Discussion: Of Ariadne's Thread And The Minotaur's Curse -- An Intensive Focus On The Myth Of The Labyrinth

Class Preparation:

Research your mythic character using the instructions above and come prepared to offer a 5-minute sketch of your individual

Reading Assignment:

Amaranta Sbardella, "Minotaur: The Monster In The Maze," National Geographic History (September/October 2019): 16-27.


Week 3

Monday, September 16

a)  Course Check-In

b)  Lecture: The Olympian Pantheon (I)

Wednesday, September 18

a)   Video: "Jason And The Argonauts"

Seminar Note Due Mythic Character Sketch


Week 4

Monday, September 23

a)  Discussion: Euripides' Medea

Reading Assignment:

Euripides, Medea (in Greek Tragedy, pp. 129-182).

Optional Extra:

"Medea: Murderous Love," The Great Greek Myths, Arte France, 2015.  (26 mins)

"Euripides," Natalie Haynes Stands Up For The Classics, BBC Radio 4, June 11, 2019.  (27 mins)

Wednesday, September 25

a)  Course Check-In

b)  Discussion:  The Olympians

c)   Lecture: The Olympian Pantheon (II)

Homework Assignment #2:

Follow the instructions outlined within the Olympian Pantheon Discussion Topic and come both with your completed notes and ready to talk briefly in class about what you studied.

***Saturday, September 28:  Medea Seminar Note Due


Week 5

Monday, September 30

***No Class: Day for Truth And Reconciliation

Wednesday, October 2

a)  Discussion:  Sophocles' Oedipus Rex

b)  Possible Mini-Lecture:  Of Medea's Rage And The Sphinx's Riddle -- Medea And Oedipus In Context

Reading Assignment:

Sophocles, Oedipus Rex (in Greek Tragedy, pp. 69-128).

Optional Extra:

"Oedipus -- The Riddle Solver," The Great Greek Myths, Arte France, 2015.  (26 mins)


Week 6

Monday, October 7

a)   Lecture : Sing Of The Wrath Of Achilles -- The Trojan War

Listening Assignment:

"Homer: The Iliad," Natalie Haynes Stands Up For The Classics, BBC Radio 4, October 13, 2020.  (28 mins)

Optional Extras:

"Greek Myths: Tales Of Traveling Heroes," BBC, 2010.  (89 mins)

Great Greek Myths -- Iliad, Arte France, 2019 (Available through NIC's Films On Demand):

Episode 1, Apple Of Discord (26 mins)

Episode 2, Time For Sacrifice (26 mins)

Episode 3, Wrath Of Achilles (26 mins)

Episode 4, Blood Of The Goddess (26 mins)

Episode 5, Sword And The Scales (26 mins)

Episode 6, Hera's Plan (26 mins)

Episode 7, Patroclus And The Myrmidons (26 mins)

Episode 8, Achilles' Revenge (26 mins)

Episode 9, Vanquish Or Die (26 mins)

Episode 10, Trojan Horse (26 mins)

Seminar Note Due:  Oedipus Rex

Wednesday, October 9

a)  Video: "The Odyssey," Invitation To World Literature, Annenberg Foundation (2010) [27 mins]

b)  Student Discussion and Mini-Presentations: Greek Mythology Miscellany

Homework Assignment #3:

Follow the instructions outlined within the Greek Mythology Discussion Miscellany Topic and come both with your completed notes and ready to talk briefly in class about what you studied.


Week 7

Monday, October 14

***No Class: Thanksgiving

Wednesday, October 16

a)  Discussion:  Epic Of Gilgamesh

Audio Edition Epic Of Gilgamesh

Reading Assignment:

Epic of Gilgamesh


Week 8

Monday, October 21

a)  Discussion: Lilith -- Mesopotamian Demoness

b)  Video: Watch Epic Of Gilgamesh, Invitation To World Literature, Annenberg Foundation (30 mins.)

c)  Lecture: Mesopotamian Mythology (I)

Listening Assignment:

"Lilith -- Mesopotamian Demoness," Episode 307, The Ancients, April 29, 2023.

Optional Extras:

Francisco Del Rio Sanchez, "Opening The Floodgates: 'The Epic Of Gilgamesh,'" National Geographic History (January/February 2018): 90-93.

"Gilgamesh and The Flood," Histocrat, December 1, 2021.  (132 mins)

"Epic Of Gilgamesh," In Our Time, BBC Radio Four, November 3, 2016.

Seminar Note Due:  Epic of Gilgamesh

Wednesday, October 23

a)  Lecture:  Mesopotamian Mythology (II)

b)  Discussion: Mesopotamian Mythology

Homework Assignment #4:

Follow the instructions outlined within the Mesopotamian Mythology Discussion Topic and come both with your completed notes and ready to talk briefly in class about what you studied.


Week 9

Monday, October 28

a)  Discussion:  Ramayana: A New Retelling Of Valmiki's Ancient Epic

Reading Assignment:

Ramayana: A New Retelling Of Valmiki's Ancient Epic

Wednesday, October 30

a)  Lecture:  The Ramayana And The Mahabharata (I)

Reading Assignment:

Rahul Verma, "The TV Show That Transformed Hinduism,'" BBC Culture, October 22, 2019.


Week 10

Monday, November 4

a)  Lecture:  The Ramayana And The Mahabharata (II)

b)  Discussion: Hindu Mythology

Homework Assignment #5:

Follow the instructions outlined within the Hindu Mythology Discussion Topic and come both with your completed notes and ready to talk briefly in class about what you studied.

Wednesday, November 6

a)  Discussion:  Theorists Of Myth -- Carl Jung

b)  Lecture:  Theorists Of Myth

Reading Assignment:

Viktoriya Sus, "Jung's Most Controversial Idea: What Is The Collective Unconscious," The Collector (January 17, 2023).

Viewing Assignment:

"Theories Of Myth," Episode 12, Crash Course World Mythology, May 21, 2017.  (12 mins)

Seminar Note Due:  Ramayana


Week 11

Monday, November 11

***No Class: Remembrance Day

Wednesday, November 13

a)  Discussion: Popol Vuh

b)  Video: "Popol Vuh," Invitation To World Literature, Annenberg Foundation (27 mins.)

Reading Assignment:

Popol Vuh: The Definitive Edition


Week 12

Monday, November 18

a)  Introduce Final Exam

b)  Discussion: Yggdrasil

c)  Lecture: Welcome To Middle Earth -- Norse Mythology (I)

Reading Assignment:

Browse extensively in Yggdrasil Discussion Topic

Wednesday, November 20

a)  Lecture: Welcome To Middle Earth -- Norse Mythology (II)

b)  Discussion: Norse Mythology

Homework Assignment #6:

Follow the instructions outlined within the Norse Mythology Discussion Topic and come both with your completed notes and ready to talk briefly in class about what you studied.

 


Week 13

Monday, November 25

a)  Discussion: Egyptian Mythology

b)  Lecture:  The Way To Eternity -- Egyptian Mythology

Homework Assignment #7:

Follow the instructions outlined within the Egyptian Mythology Discussion Topic and come both with your completed notes and ready to talk briefly in class about what you studied.

Wednesday, November 27

a)  Discussion:  Pandora's Jar

Reading Assignment:

Haynes, Pandora's Jar and/or

Listening Assignment:

"Pandora," Episode 2, Series 7, Natalie Haynes Stands Up For The Classics, May 25, 2021.  (28 mins)

"Jocasta," Episode 3, Series 7, Natalie Haynes Stands Up For The Classics, June 21, 2021.  (28 mins)

"Helen Of Troy," Episode 1, Series 6, Natalie Haynes Stands Up For The Classics, May 23, 2020.  (28 mins)

"Medusa," Episode 1, Series 7, Natalie Haynes Stands Up For The Classics, May 18, 2021.  (28 mins)

"Penthesilia, Amazon Warrior Queen," Episode 2, Series 6, Natalie Haynes Stands Up For The Classics, May 30, 2020.  (28 mins)

"Clytemnestra," Episode 4, Series 7, Natalie Haynes Stands Up For The Classics, June 28, 2021.  (27 mins)

"Eurydice," Episode 3, Series 6, Natalie Haynes Stands Up For The Classics, June 6, 2020.  (27 mins)

"Penelope," Episode 4, Series 6, Natalie Haynes Stands Up For The Classics, June 13, 2020.  (27 mins)


Week 14

Monday, December 2

a)  Final Exam Review

Seminar Note Due:  Popol Vuh


Final Exam TBA

Final Exam Preparation Materials:

Final Exam Prep materials are available on the Assignment Page by clicking on the Final Exam Study Guide and Final Exam Useful Links icons.

Final Seminar Note Due:  Pandora's Jar


Evaluation

Letter of Introduction

1%

Homework Assignments

14%

Seminar Notes

45%  (5 x 9%)

Class Participation

20%

Final Exam

20%

                                                          

 

 

 

 

 

a)  Letter of Introduction (1%)

Write a short letter of introduction to me at the beginning of the semester.  This should be at least 100 words in length and is designed to give me a beginning idea of who you are and how I might best serve you as a teacher, and to provide me with an opening snapshot of the class as a whole.  You need not use the following questions as cues but they may be helpful.  Who are you?  Where are you from?  How might you begin to describe your community and what life is like there if you've come to NIC from far away?  What do you miss and what do you think would most surprise me if I were to visit your hometown?  What are your interests?  Why are you taking this course?  What are your thoughts and reflections as you begin HIS 135?  What is myth and what is the importance of studying it?  Are there topics associated with the course that you know will be of potential interest?  Do you have any questions, concerns, or suggestions?  This is an assignment I ask of students in each of my classes.  Although this is not a graded assignment, I would appreciate it if you took several minutes writing a thoughtful introduction.  If you are enrolled in more than one class with me this semester, a single letter of introduction will suffice, but mention something about each of the courses.  If you have taken a class with me before, please update what you wrote before and complete a new letter of introduction.


b)  Seminar Notes (45%) [5 different short seminar notes in total]

Seminar notes are commentaries of approximately 400+ words apiece.  They should consist of your Mythic Character Sketch plus your commentaries upon your choice of four of the other six core readings.  The purpose of these reflective reading responses is to provide you with the opportunity to organize your thoughts after each of our readings.  This exercise is also designed to facilitate analytical group discussion about the course texts.  The notes need not be formal in style but  should highlight key themes from the reading.  Although you should write concisely, it is great if one or more of your seminar notes are considerably longer than the recommended length.  Seminar Notes can be typed or hand-written, though for either format you should take some notes and carefully organize your thoughts before attempting to write your paper.  I encourage you to hand in these rough notes with your completed Seminar Note if you indeed have these.  I will then both look at them when I evaluate your Seminar Note and add them to your Homework Portfolio.

Your own interpretations must be at the centre of each seminar note.  I want to see you engaging directly with the text rather than paraphrasing someone else's descriptions or review.

Seminar notes are due within the week after our discussion.

The excellent seminar note will probe chosen themes in an original, organized, and analytical manner.  The commentary will effectively connect together your larger ideas with the particularities of the reading, using examples and specific text to accentuate your writing.  A good seminar note will show evidence of attentive reading and of engagement with the text.  You will organize your thoughts coherently and demonstrate the ability to explain and to explore key themes that you highlight from the text. The satisfactory seminar note will offer evidence that you have engaged directly with the text and drawn something of larger meaning from it.  Your ideas may not be fully developed or as clearly stated as might be the case, but you do demonstrate that you have taken something away from your encounter with the book.  An unsatisfactory seminar note is one in which you either seem to rely entirely upon secondary sources and thus do not engage with the text, or in which you do not demonstrate any understanding of the text.

Rather than being graded on a letter scale, the seminar notes will be evaluated on a check, check-plus, check-plus+, and check-minus basis:

Check:  A fully satisfactory seminar note (7.3/10, B) --  The seminar note offers evidence that you have engaged directly and substantially with the text and drawn something of larger meaning from it.  Your ideas may not be fully developed or as clearly stated as might be the case, but you do demonstrate that you have taken something away from your encounter with the book.

Check-Plus:  A strong seminar note (8.6/10, A) -- The strong seminar note will offer thoughtful analysis and/or a well-developed commentary upon the text.  It will probe chosen themes in an original, organized, and analytical manner.  The commentary with effectively connect together your larger ideas with the particularities of the reading, using examples and specific text to accentuate your writing.

Check-Plus-Plus:  An outstanding seminar note  (9.5, A+) -- Such a note pushes far beyond the basic expectations for this assignment in terms of both its originality and the extent to which it probes the reading.

Check-Minus:  A weak seminar note (6.1, C)  --  The seminar note includes some material of relevance and evidence of direct engagement with the text.  However, it seems to be based upon limited reading and/or a lack of understanding of the book's core themes.

Check-Minus-Minus-:  An unsatisfactory seminar note.  (0, F)  A note in which it is impossible to tell whether there was any direct engagement with the text.  The assignment seems to have relied entirely upon secondary sources and/or to have been completed using Artificial Intelligence tools.


c)  Homework Assignments (14%)

The five seminar notes are the most important writing assignments in this course.

However, they will be  will be complemented by a series of small Homework assignments that will be coordinated with some of our other class discussion.  Typically these exercises will ask you to browse extensively within resources associated with different mythological traditions and then take some notes and offer some commentary upon resources of particular interest.

You will arrive at the relevant class sessions with these notes and use them to share your findings with your fellow students.  I will collect these materials in individual student folders and evaluate these based upon the promptness and consistency of the submissions, and upon the thoroughness and thoughtfulness of the work itself.  I will also ask you to provide self-evaluation in regards to your efforts here.


d)  Class Participation And Contributions (20%)

The class participation grade will be based upon attendance; pre-class preparation; and the willingness to contribute thoughtfully to small-group and full-class discussion.

HIS 135 will combine lectures and documentaries with extensive discussion.  Several times during the semester, we'll devote an entire course period to a seminar discussion about one of our core texts.  It is expected that you will demonstrate during these particular classes that you have directly engaged with each of the books and then struggled to offer your own interpretations of these stories.  At other times, we will have shorter but focused full-class or small-group conversations about particular topics.

I would like to encourage a classroom environment in which all are eager to share their ideas an in which lectures are accompanied by thoughtful dialogue.  This will be dependent not just upon your willingness to speak, but your pre-class preparation and your willingness to listen.  The significant class participation component derives from my belief that the most engaging and successful courses are not ones in which knowledge is merely transferred from instructor to student but in which a genuine learning community exists in which all participants share their perspectives and insights.

Although attendance is not required, I will take roll, and those who are not in class regularly will both receive a poor grade for this part of the course and deprive others in the class of their own insights.

I do appreciate that some students are shy or for other reasons may find it intimidating to speak in our full-group setting.  I do want these students to push themselves to nonetheless fully engage with the class and participate in discussions.  I will nonetheless be understanding of these students so long that they can clearly demonstrate to me by other means that not only do they come to class but they do so well-prepared and are engaged with the course material.


e)  Final Exam (20%)

The Final Exam will ask you to write short essays analyzing paired mythological terms. A detailed preparation sheet will be handed out in advance.


Late Policy

The curriculum for this course is organized on a week-by-week basis.  Our recurring seminars and smaller discussions will be entirely dependent upon pre-class student preparation for their success.  There is the expectation that you will arrive at the relevant class sessions with the basic required reading or other work completed.

I appreciate that there may be occasions where a very few extra days in the midst of competing deadlines can be helpful, and thus I deliberately assume a good-faith effort on the part of students to meet the due dates and provide a small cushion of flexibility without any academic penalty.   That does not mean the due dates are unimportant or that extensions are automatically granted.  You should discuss possible extensions with me directly.  As a general rule, no assignment will be accepted more than two weeks late.

It is fundamentally important that you set up a meeting with me if you are falling behind with your studies.  Please do not come to me at the end of the semester anticipating that you can submit a portfolio of work that will compensate for a semester of academic inactivity.  This will not be possible.


Writing Support And Peer Tutoring

Writing Support is available to all students at no additional cost.  Go to Writing Support for any or all of your assignments.  Every visit is a step toward becoming a better writer.  Use Writing Support as many times as you like, and at any point in your writing process.  The writing support faculty can help you understand the assignment, develop your ideas, outlines, thesis, and revision -- and anything else in-between.  Book your appointment through the library website, or visit the library desk to inquire about drop-ins.  There's also WriteAway, an online tutoring platform that allows you to upload your papers and assignments for detailed written feedback.  Both services may be found at https://library.nic.bc.ca/WritingSupport .


Student Technical Services

Our Student Technical Service team is available to help you with any technical issues that you may be experiencing as a student.  Please go to https://library.nic.bc.ca/studenttech for more information.


Learn Anywhere

NIC's Learn Anywhere website is geared to provide a collection of information that will help you be successful learning digitally by covering area such as: What is digital learning? How to be a digital learner while using NIC-supported technologies during your studies? A list of key skills and knowledge all students should have for successful learning in today's world, knowing your rights and responsibilities and Technology Readiness Checklists. More details at: https://learnanywhere.opened.ca/


Community Supports (24/7)

There are several supports available to help any student in distress. If you are in distress, please reach out for support.

Vancouver Island Crisis Line:  24/7 1-888-494-3888 (Available to students located on Vancouver Island only)

Crisis Suicide helpline:  24/7 1-800-784-2433 (Available to students located in Canada only)

BC 211:  Full list of community services available across BC.  Dial 2-1-1 on BC cellphone (Available to students located in BC only).

Here2Talk24/7 counselling support for post-secondary students: 1-877-857-3397 (Available to students located in Canada and offshore).


The Use Of Artificial Intelligence And Other Matters Of Academic Integrity

Generative AI is a revolutionary technology that is already having a profound impact within the field of education.  That the role this technology might play within formal education is not yet understood and is at present very ill-defined is hardly surprising.  Nor is it surprising that many teachers and students may have very different assumptions in regards to what currently represents an appropriate use of AI.

Let me clearly state my assumptions and expectations in regards to the use of AI for this course:

1)  I think it is fully appropriate to use AI as a learning tool in HIS 135 as long as it is used as a research tool alone and not in any way as a substitute for your own direct engagement with the core course materials or as a writing tool.

2)  I expect everything you submit in writing to be entirely in your own words and to represent your own direct engagement with the book, other reading, video, or audio documentary in question.  No submitted assignment should not be filtered in any way through an AI program.  I will be asking you how you completed your assignments and inappropriate use of AI will likely be regarded as a violation of academic integrity.


Related Policy

Community Code of Academic, Personal and Professional Conduct (3-06)

Instructional Accommodation and Access Services for Students with Disabilities (3-17)

Student Appeals Policy (3-30)

Student Complaint Resolution Policy (3-31)

Evaluation of Student Performance Policy (3-33)

Sexual Violence and Misconduct Policy (3-34)

Course Outline Policy (3-35)

Academic Standing and Progression (3-37)

Grading System (4-14)


Welcome To The Course

 

 

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